Breezing Up by Winslow Homer first exhibited in 1876 |
So stunning, in fact, were the sky-scenes that I bought a video camera just to capture these scenes before I set out for my second year. I shot hours of sunrises, sunsets, and cloud scenes. It was a rude awakening, however, as I popped in tape after tape once I got home that my efforts had been futile. In fact, based on that experience, I have always assumed that trying to capture the beauty of the sky was impossible--until this week that is. . .
I happened upon a Leo Tolstoy work this week, "The Raid," in which he starts Chapter Four this way:
"The sun was midway across the sky. Its hot rays piercing the incandescent air, beat down upon the dry earth. Overhead, the dark blue sky was completely clear, although the base of the snowy moutnains was already draped in white and lilac clouds."Lilac clouds. Can't say my "sky-palette" had lilac. And yet--I could see it perfectly in my mind's eye. On a drive home later in the week I mentioned this to the family and Calvin said that Homer Winslow also had particular thoughts about the sky. He was referring to an article he recently stumbled onto in a back issue of National Geographic (Dec 98). Here is what he read:
"Homer painted in daylight long before it became standard practice. Others painted blue skies. "It looks like the devil," said Homer, who avoided them, filling his skies with gray, yellow, pink, white--anything but solid blue. Others depicted the horizon with a straight line. "Horrible," said Homer. He broke his horizons with dots of light, giant waves, plunging boats, and mountains."
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